So how Hot Tie Dye Croc If You Ain’t Crocin’ You Ain’t Rockin’ Colorful Shirt this make money? The usual ways: early-mover advantage, scarcity of goods, and market decisions. Pollock was one of the earliest “action painters” who also received media attention, and he died in his mid-40s. Although all of his “famous pieces were done about 5-10 years prior. It was a bit recursive: He’s a big deal because this person or publication said he’s a big deal because….Ultimately, people had not seen a type of painting that just said fuck rules. Even in other avant-garde styles, there was a sense of rules framing how the piece was created, so Pollock’s “insanity” would be something completely new.
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Again, this is super. Hot Tie Dye Croc If You Ain’t Crocin’ You Ain’t Rockin’ Colorful Shirt explanation. There’s a whole lot more to discuss. Pollock did something brand new (abstract expressionist paintings) that impressed a specific set of people (members of the art community) for a very short time. Their praise became a bit cyclical which resulted in magazine covers and would ultimately influence the next generation of artists (Andy Warhol’s Campbell Soup Cans is an obvious response). The scarcity of the paintings and the enduring influence (good or bad it’s all about the size) results in huge values. This is before discussing whether or not a buyer actually likes the damn thing.
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Also, he’s wrong. City/state-Hot Tie Dye Croc If You Ain’t Crocin’ You Ain’t Rockin’ Colorful Shirt projects, tax-exempt organizations. And ‘small-time’ artists participate in similar shenanigans regularly. The thought that it only happens with master-level 6-figure+ pieces in ‘warehouses and private collections’ is some Illuminati-tin-foil-hat tier thinking. Yes, it happens there too, but to imply it ONLY happens there makes him look foolish if not suspect. Sort of been bothering me with the coverage of this lately just because. I feel like people might be getting the idea that modern artists are getting rich off this stuff which is not really what tends to happen. But the art world remains far from diverse, especially in the upper echelons. A 2014 study by the artists collective BFAMFAPhD found that 77.6 percent of artists who manage to make a living by selling their work are white, as are 80 percent of all art school graduates.
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