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There are some great Hot Bigfoot Hunter Shirt about Brando in his later years. Watch the Lost Soul documentary. In The Score, Brando called the director “Miss Piggy” to his face because Frank Oz performed Miss Piggy for the Muppets and refused to call him by name. He also apparently walked around the set naked and farted a lot. The man gave no shits. I heard somewhere that there was also a scene that director. Frank Oz wanted to start with a wide establishing shot. But Brando just wanted it to be a closeup. Oz wouldn’t budge so Brando walked back to the dressing room. And returned wearing no pants or underwear, saying “Alright I’m ready for the wide shot”. Worth noting that once Brando read the source material that Copalla gave him, he really understood Kurtz like no one else.

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He went from Hot Bigfoot Hunter Shirt wanting to play. A flowery general just to fuck with the film. To one of the greatest performances in cinematic history overnight. Streetcar and On the Waterfront were hugely influential and made more naturalistic acting and method/method-lite acting more common for movies overnight. Where before the preferred style was more theatrical and exaggerated/‘grand’. If you ever watch a lot of the 30s and. 40s movies back to back and then go watch Streetcar/Waterfront the difference becomes really apparent. It’s much rawer and gritty and real and it does make a lot of the more classical Hollywood acting look like a cheese-fest in contrast. He was legitimately brilliant in his prime and a big influence on people like young Robert DeNiro (who imo surpassed him). I honestly don’t think his “if I don’t memorize the lines they’ll seem more spontaneous” thing was pure laziness. But I do think it was sort of a gimmick he’d convinced himself would work better than it did

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His ‘thing’ when he Hot Bigfoot Hunter Shirt young was getting really into the zone emotionally and “letting loose” without overthinking it, that’s what he was an advocate of, that you should BE the character and not even have to think. Which worked great when he was young playing these richly passionate emotional young guys heartbroken or furious or desperate. But as he aged those roles went away and he started getting more of these. Vito Corleone type roles, more restrained and detached, intellectual types. And getting into the zone emotionally and not thinking didn’t work as well so I think he resorted to these gimmicky things to avoid the ‘overthinking it’ part, like not memorizing the lines. And they didn’t work as well and annoyed everyone else on set.

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